Community Mentorship Sets Sail with Wisconsin’s Hands On Deck
The non-profit organization is keeping traditional craft afloat through community boatbuilding in Green Bay.
The non-profit organization is keeping traditional craft afloat through community boatbuilding in Green Bay.
The St. Paul-based organization has become central to community activism and artist support over the last six years, especially for Indigenous peoples and communities of color.
Their dedication to astonishment and awe has kept audiences coming back to see more than 12,000 plays since 1988.
“Urushi is most close to who I am,” says Indianapolis-based artist Nhat Tran, who has been creating abstract sculptural and 2D pieces with lacquer over the past two decades.
Minnesota artist Dyani White Hawk and Illinois-based statistician Rina Foygel Barber have each been awarded a “no strings attached” fellowship stipend of $800,000.
A “live culture convergence” is brewing in Wisconsin’s Driftless Area with the help of the Wormfarm Institute.
Standing Rock hosted Sir Timoti Kāretu, a highly regarded Indigenous language warrior, on his farewell tour and brought people together to connect on the significance of language revitalization.
From type factory to “working museum,” Hamilton still calls Two Rivers, Wisconsin, home, bringing artists together from all over the world.
Local and national attendees participated and people danced with and for their communities at the inaugural powwow of its kind in western South Dakota.
Drawn by the utility and accessibility of the craft, spoon carvers in the Driftless region gather to create a new niche for future generations.