Skip to content

Transforming Invasive Plants into Paper That Grows Wildflowers 

by Amy "Frankie" Felegy

Several people stand under a large pink canopy next to a white folding table with a sign reading 'Paper Plains.'
Photo Credit: Paper Plains via Ready Go
James Kleiner, right, at a traveling Paper Plains event, built a mobile trailer to haul papermaking equipment and tools, which he also built.

In their mobile studio, Anna Haglin and James Kleiner travel across Minnesota teaching folks the art of sustainable papermaking.


They’re magicians, of sorts. 

They turn liquids into solids. They rebirth grass into paper, then into beautiful wildflowers. And maybe most importantly, they help change minds. 

Three pieces of cloth-like paper with designs in the middle hang via clothespins over a table.
Photo Credit: Paper Plains via Ready Go
“The fiber you choose to make paper with really defines how strong it will be,” Kleiner says, noting flax or cotton is best. “The grass that we use is really brittle and it just will crack if it is creased once or twice. So we do have to mix the two fibers together, and the grass almost becomes a decorative aspect to it, or it just gives it more unique qualities.”

Meet Anna Haglin and James Kleiner, the Minneapolis, Minnesota, the artist duo behind Paper Plains. It’s a, well, grassroots LLC collecting invasive stalks and leaves, then hand making paper (embedded with native wildflower seeds) from the pulp. 

“You’re turning something that’s hard on the ecological system into something that is really beneficial,” Haglin says.  

A young person with medium skin wearing a bright green shirt holds a brown frame dunked in paper pulp over a large plastic bin.
Photo Credit: Paper Plains via Ready Go
Anna Haglin, right, helps a Paper Plains mobile studio visitor create a piece of paper.

‘A Patch of Pocket Prairie’

In 2019, while working as a printmaking professor in Moorhead, Minnesota, Haglin received a grant to collaborate with Kleiner on a rural artist project. Those funds, from the Ready Go Art program, have turned into a Kleiner-built mobile studio visiting county fairs and libraries statewide, teaching hands-on how to make this paper.

“It’s been really interesting traveling to all these towns of 500 or 1000 people and making paper out on the street . . . outside of what is usually a very niche space. You’re making paper at a university; it’s not really reaching these teenagers that are walking around outside,” Kleiner says.

That community education aspect is their way to share how invasive plants affect the ecosystems we call home, and what we can do about it. Less than 2 percent of Minnesota’s native prairieland is alive and well today.

“So it does feel like a small contribution, just planting a patch of pocket prairie in your yard. But I think if enough people do it, it does really add up,” Kleiner says.

The couple finds reed canary grass—which, yes, is often native to the state (there are two populations) but the Minnesota Department of Natural Resources says the species is prolific. It suppresses other native plants, especially in wetlands, and threatens biodiversity.

“One of the difficult things about communicating about climate change is how overwhelming and sad it can be for folks . . . but then there are some things you can do that are joyful,” Haglin says. 

‘Making a Grass Smoothie’ 

The artists burn the roots and seeds of the invasive grass, then chop the stalks and leaves to process them. They get boiled in soda ash, mixed with flax or cotton fiber for strength, and blended up. 

“I always kind of joke with people that we’re making a grass smoothie,” Haglin says.  

Hands with a dark skin tone hold a wooden frame with wet paper pulp inside.
Photo Credit: Paper Plains via Ready Go
In its sixth year, Paper Plains travels across Minnesota to teach people about invasive species, native planting, and making handmade paper.

Then the juice is pressed into sheets and mixed with native wildflower seeds before drying for several hours. Once dried, participants can display the paper, write or draw on it, or plant it in the yard (autumn is best.)  

“Art is such a useful way to connect with people who are different than you while you’re all doing something bizarre. And I feel like the act of paper making with invasive plants is something that you can all connect about. We’ve all seen or pulled weeds,” Haglin says. “And that inroad of relatability really helps you learn more about each other.”